Artwork for Possible

Podcast

Possible

Reid Hoffman and Aria Finger explore how technology, AI, and ambitious ideas could shape the future.

Original source
Artwork for Who gets to pull the plug on AI?
Possible

Who gets to pull the plug on AI?

Reid Hoffman argues that AI’s enormous buildout is worth financing, but says the risk should be visible rather than hidden off balance sheet. He also outlines a governance stack of kill switches, technical auditors, and international cyber rules while defending California’s more precise approach to AI oversight.

Artwork for When AI's builders sound the alarm
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When AI's builders sound the alarm

Reid Hoffman argues AI should be “steered,” not simply sped up or paused, and that the real policy focus should be on biorisk, cyber risk, and job transformation. The episode also highlights recent safety warnings from Anthropic and OpenAI researchers, while making the case that AI leadership must be paired with broad American prosperity.

Artwork for Seven creators, $1,000 a week in AI tokens, one summer
PossibleParth Patil

Seven creators, $1,000 a week in AI tokens, one summer

Reid Hoffman and Parth Patil close out Tokens to the Future by reviewing a summer experiment that gave seven creators $1,000 a week in AI tokens to push into new workflows. The episode argues that AI is most powerful when paired with human judgment, taste, and context, especially in personal agents, games, and creative work.

Artwork for Can we defend against AI hacks? | Dozie Anazia
PossibleDozie Anazia

Can we defend against AI hacks? | Dozie Anazia

Dozie Anazia argues that AI has already made cyberattacks cheaper, faster, and more scalable, from deepfake impersonation to automated phishing and attack-page generation. He also believes defenders will need AI agents, but only with human oversight, policy controls, and new verification methods like safe words.

Artwork for Training robots for a world they’ve never seen
PossibleChelsea Finn

Training robots for a world they’ve never seen

Chelsea Finn explains why useful robots need general-purpose models that learn from messy real-world data, not one-off programming. The conversation digs into robotics generalization, language grounding, safety, hardware reliability, and why Physical Intelligence thinks simple embodied systems may scale faster than humanoids.

Artwork for Inside an AI-powered personal dashboard | Matthew Tiemann
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Inside an AI-powered personal dashboard | Matthew Tiemann

Matthew Tiemann describes building personal AI systems that reduce friction in knowledge work, from dashboarding and forecasting to software and game development. The conversation focuses on proactive agents, 12-hour human check-ins, and the limits of automation for subjective creative tasks.

Artwork for The whole studio is one guy | Jonathan Brazeau
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The whole studio is one guy | Jonathan Brazeau

Jonathan Brazeau explains how AI tools like Stable Diffusion, Midjourney, Luma, and Suno let one creator build art and animation workflows that once required a much larger studio. The episode focuses on the split between human “spark” work and AI-automated “cog” work, plus the importance of taste, iteration, and curation.

Artwork for Making taxes fun with Pikachu and AI | Cadi Zhang
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Making taxes fun with Pikachu and AI | Cadi Zhang

Cadi Zhang discusses how generative AI is speeding up game prototyping and asset creation, while still falling short on taste, consistency, and the human judgment needed to make games fun. The conversation then shifts to robotics, where teleoperation, world models, and egocentric data are promising but real-world deployment is still constrained by missing tactile data, safety, and form-factor tradeoffs.

Artwork for How Sougwen Chung teaches robots to pause
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How Sougwen Chung teaches robots to pause

Sougwen Chung describes a decade-long practice of drawing with robots to explore collaboration, error, and extended authorship rather than machine replacement. The episode centers on pause, timing, and restraint—showing how Chung built systems that restore time to drawing data, respond to brainwave thresholds, and make silence part of the artwork.

Artwork for The artist using AI to sell brands | Joe Salvatore
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The artist using AI to sell brands | Joe Salvatore

Joe Salvatore argues that AI turns creative work into a directing problem: humans still own taste, framing, and judgment while models handle production. He and Parth Patil walk through agentic workflows for brand ads, research, and variation generation, then widen the lens to how AI makes language, storytelling, and software more fluid.

Artwork for The creator using AI to go viral | Will Weinbach
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The creator using AI to go viral | Will Weinbach

Will Weinbach explains how he moved from non-coder experimentation to building autonomous AI agents that create, edit, schedule, and optimize social content. Reid Hoffman and Parth Patil use his work to explore what AI-native creativity, observability, and hiring may look like as agents take on more workflow and memory.

Artwork for The film director winning awards with AI | Ben Hansford
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The film director winning awards with AI | Ben Hansford

Ben Hansford argues AI is becoming a creative crew for filmmakers, not just a tool, and shows how he uses it to win commercial work, teach students, and prototype new media formats. He also explains how shrinking budgets, changing audience behavior, and a lack of comic-book illustrators are pushing Hollywood and creators toward AI-assisted workflows.

Artwork for Introducing Tokens to the Future: free tokens for builders
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Introducing Tokens to the Future: free tokens for builders

Parth Patil outlines a world where AI agents can work for days, collaborate persistently, and dramatically compress the time from idea to working product. He and Reid Hoffman frame the token grantee program as a way to fund builders with recurring AI tokens, unrestricted tools, and hands-on agent support.

Artwork for America's aerospace rebirth
PossibleBlake Scholl

America's aerospace rebirth

Blake Scholl argues Boom is reinventing aerospace by building supersonic aircraft, engines, and software in-house rather than relying on a slow legacy supply chain. He also makes the case that AI, additive manufacturing, and a ground-first power business can accelerate both certification and industrial rebuilding.

Artwork for Who's got the ball on carbon removal?
PossibleNan Ransohoff

Who's got the ball on carbon removal?

Nan Ransohoff argues carbon removal is a market-design and public-goods mobilization problem, not just a climate-tech problem. She explains how Stripe’s Frontier uses an advanced market commitment to create demand, why governments will ultimately need to scale it, and how AI and philanthropy could reshape the field.

Artwork for AI’s next big test: the public market
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AI’s next big test: the public market

Reid Hoffman and Aria Finger discuss how a wave of AI IPOs could reshape frontier-lab incentives while broadening AI’s economic gains through public ownership. They also dig into how coding agents will redefine software engineering and how AI-generated music collides with copyright, creativity, and new forms of expression.

Artwork for Satya Nadella on making human and token capital compound
PossibleSatya Nadella

Satya Nadella on making human and token capital compound

Satya Nadella argues AI is becoming the operating system of the firm, where companies must manage both human capital and “token capital” to compound their unique expertise. He also outlines Microsoft’s enterprise AI, agent, and silicon strategy, while stressing safety, education reform, and public trust as the real constraints on adoption.